The Dark Comedy Buzzard Brings Us Face To Face With The Loser We Might Have Become
Since Frownland (2007), director Ronald Bronstein’s divisive and darkly comic character study of a New York door-to-door salesman who alienates everyone he encounters, the best American independent films have tended to revolve around protagonists whose surly demeanor gets them relegated to the margins of society. Drew Tobia’s See You Next Tuesday (2013) deals with an impoverished, pregnant store clerk, the Safdie Brothers’ Heaven Knows What (2014) with destitute heroin addicts, and in both cases their revolting character traits are tempered by the wretched hands they’ve been dealt....